LOGO

Shop for...


Animators - Cartoons

Comedians

Female Movie Stars

Historical

Hurrell Photo

Lobby Cards

Male Movie Stars

Monsters

Movie "Stuff"

Movie Themes

Movies Press Releases

Singers - Musicians

TV - Series



Visit Our
Ebay


Your Cart Is Empty

View Cart/Checkout

Singers - Musicians
Big Band and Popular Singers/Musicians of the 40's and 50's

Our Singers - Musicians Inventory
Cab Callaway - Count Basie signed picture - Fats Domino - Frank Sinatra Signed Photo - Mcquire Sisters - Patsy Cline - The Rat Pack -


click on image to enlarge
Cab Callaway

Here is the 'Hi De Ho' man himself Cab Callway. His signature has been mounted on acid free mat framed in a brushed metal frame. The measurements are as follows;

Overall Frame Size; 11 x 15'

Cut Signature; 2 1/2 by 3'

B & W Photo; 8 x 10'.

Growing directly out of the Louis Armstrong New Orleans Dixieland tradition, Cab Calloway and his Orchestras virtually wrote the book on the 'Hot Swing' sound and the 'Jump' genre, and were progressive in the approach to performance. The Calloway magic touched many of the greatest Jazz musicians like Dizzy Gillespie, Milton Hinton, The Nicholas Brothers, Illinois Jaquet, Jonah Jones, Cozy Cole, Doc Cheatham, and Ben Webster all of whom emerged from Cab Calloway stints, and went on to redefine Jazz music with spectacular musical careers of their own. They -like Cab Calloway- took African-American based musical expression to whole new levels.

Cab Calloway also performed alongside greats like Louis Armstrong, Duke Ellington, Nat King Cole, Lena Horne, Pearl Bailey, Eartha Kitt, Tony Benett, Fats Waller, and many others. Blues giant T-Bone Walker and Gospel sensation Sister Rosetta Tharpe toured with Cab Calloway and his Orchestras.

Always the diverse, multifaceted, total performance artist, Cab also shared


$ 195.00+ S&H





View Cart/Checkout


click on image to enlarge
Count Basie signed picture

Count Basie signed picture 8 X 10 B & W
signed in ball point pen.


William “Count” Basie has had such a widespread influence, it can be heard in virtually every big jazz band to date. Basie was first noticed on the scene when he joined Bennie Moten’s Kansas City Band. They were developing a new sound in big band jazz; A style that was simpler than that of Duke Ellington or Fletcher Henderson. It used short phrases called “riffs” exchanged back and forth between sections. This Call and response method of playing left plenty of room for soloists to be highlighted and many different disciplines of jazz and blues to find a place in the big band sound. Count Basie’s piano style fit this incorporation perfectly.

He first learned to play piano in his hometown of Red Bank, New Jersey. Basie’s first influences were Earl Hines, Teddy Wilson and Fats Waller. These musicians shaped his minimal style. He then joined the vaudeville circuit in New York, playing the thumping stride style accompanying the show. By smoothing out the syncopated thump of this style, he further advanced his own. In 1927, Count Basie got a job playing piano accompaniment to silent movies. He then joined Walter Page’s Blue Devils and from there along with several other members joined Bernie Moten’s Kansas City Band.

When Bennie Moten passed away in 1935, Basie formed his own 9 piece group, Barons of Rhythm, that included tenor saxophonist Lester Young and drummer Jo Jones. Through live broadcasts from the Reno Club, they attracted quite a bit of attention. Their style was a powerful swing, intensified by Basie’s frequent playing with the rhythm section alone, giving the band a unique sound and identity. This raised Basie’s stature in the community onto an even keel with Duke Ellington, earning him the nickname “Count”.

Initially, his band didn’t cause much stir when booked for a run at Chicago’s Grand Terrace, but by expanding to 15 members before his next engagement at New York’s Famous Door on 52nd Street, the band took off. Though their early efforts were rough, their exuberance and enthusiasm attracted audiences in droves. Drawing his early repertoire from Fletcher Henderson and the Mills’ Blues Rhythm Band, his simple riffs shot through with blues, combined with Jo Jones’s lighter, cymbal oriented drumming , loosened the beat and put the emphasis on Page’s steady bass and Basie’s swinging piano.

In 1950 Basie and his band called it a day, due to the strain WWII put on big bands, but by 1952, he was back in the game. He played in an orchestra that included saxophonists Frank Foster and Eddie “Lockjaw” Davis, trumpeters Joe Newman and Thad Jones and the eloquent, rugged blues singer Joe Williams. This group played backup to many legendary performers such as Tony Bennet, Frank Sinatra, Sarah Vaughan, Bing Crosby and Sammy Davis Jr. William “Count” Basie continued to play through the 60’s and 70’s in a more varied repertoire that included the pop music of the day. He played right up into his 70’s, though hampered by illness, he was still irrepressible at the key board until his death in April of 1984.

Written by Lisa Carattini
Copyright 2002 by PageWise, Inc



$ 195.00+ S&H





View Cart/Checkout


click on image to enlarge
Fats Domino

In the Fifties with a rockin' piano Fats Domino came out of New Orleans to become one of rock-and-roll's earliest and best stars. With 65 million record sales to his credit, Fats out sold every Fifties rock and and roll pioneer except Elvis Presley.

Fats was born Antoine Domino in 1928 in New Orleans. As a child his brother-in-law, who was twenty years his senior, taught him to play the piano.Fats, also sang.. The first language he learned to speak was French. He first performed in public at age 10. At fourteen he left school and worked days in a factory so he could perform at local nightclubs. He continued with music into the 40's and was heard by Dave Bartholomew, who would become his writing partner on many of Fats' hit songs. Fats joined the Dave Bartholomew Band in the mid-40's. He was influenced by Albert Ammons and Fats Waller, among others.

He signed a contract with Imperial in 1949 and at his first recording session he made sure that he recorded the traditional Hey La Bas. 'La Bas' was originally a voodoo god of luck, was identified with St. Peter in French-Catholic Louisiana and finally became La Bas. The record indicated a coming together of many years of New Orleans history and musical influence.

It was not, however, his first record to be released. A song about drugs called The Fat Man was cleaned up a bit for his first commercial release, and it reached the R&B chart in 1950. According to some reports, the song was a million seller. The Fat Man also became a nickname for Fats Domino. Another song that made the R&B chart for him, Every Night About This Time, used a piano triplet for which Fats was to become famous. It showed how his music had been influenced by that of Little Willie Littlefield. Fats had another R&B hit with 'Goin' Home' in 1952.

Fats Domino exploded onto the rock-and-roll scene in 1955 when his song, 'Ain't That A Shame,' was covered by white recording artist Pat Boone. Boone's version went to number one, and Domino's version on Imperial went to number ten. The song established both artists as stars. Fats could be heard in the background on the records of other artists, such as Joe Turner and Lloyd Price. He continued to write songs with Dave Bartholomew, many of which became hits. In 1956 he put five songs in the top forty, including 'I'm In Love Again' and Fats' rendition of a song that had reached number one for Glenn Miller in 1940, 'Blueberry Hill'. The latter went to number two and was Domino's highest charting record ever.

Fats Domino had his final top ten song in 1960 with Walking To New Orleans. He recorded some old Hank Williams songs such as 'Jambalaya [On The Bayou]' and 'You Win Again' and he did old standards such as 'Red Sails In The Sunset,' which was his final top forty song, in 1963. In 1968, he even did a cover of the Beatles' 'Lady Madonna'.

He also made some more films along the way, including Shake, Rattle and Roll, The Big Beat, and Jamboree. Fats played Las Vegas frequently, and at the Royal Festival Hall in London in the 80's. He had to leave a tour of Great Britain in the 90's due to health problems.

Fats Domino took his place in The Rock and Roll Hall of Fame 1986


$ 295.00+ S&H





View Cart/Checkout


click on image to enlarge
Frank Sinatra Signed Photo


Growing up on the streets of Hoboken, New Jersey, made Frank Sinatra determined to work hard to get ahead. Starting out as a saloon singer in musty little dives (he carried his own P.A. system), he got his first major break in 1935 as part of The Hoboken Four on popular radio show Major Bowes Amateur Hour. In 1939 he signed with Harry James as lead singer of his big band before gaining the attention of Tommy Dorsey and his orchestra with whom he sang the first ever No. 1 song on Billboard, I'll Never Smile Again. That same year he married sweetheart Nancy Barbato with whom he had three children, Nancy, Tina and Frank, Jr.


Sinatra's growing popularity led him to leave Dorsey in 1942 and starting in earnest a solo career, instantly finding fame as the number one singing star among teenage music fans of the era, especially the young women and girls known as The Bobbysoxers. Legendary appearances at the New York Paramount were sensational, namely the so-called Columbus Day Riot in 1944, when 35,000 blocked the streets outside the venue waiting to see their idol. About this time Sinatra's acting career was beginning in earnest and he struck box-office gold with a lead role in the acclaimed Anchors Aweigh (1945) alongside Gene Kelly. The following year Sinatra was awarded a special Oscar for his part in a short film against intolerance called The House I Live In (1946). His career on a high, Sinatra went from strength-to-strength, recording his first album, The Voice of Frank Sinatra, at Columbia and starring in several movies, peaking in 1949 with Take Me Out to the Ball Game (1949) and On the Town (1949, co-starring in both with Gene Kelly.

A torrid public affair with screen siren Ava Gardner broke up Sinatra's marriage and although a second marriage - to Gardner - followed in 1951, record sales began to dwindle and live appearances were failing to sell out, Sinatra's vocal chords hemorrhaging at one point live on stage as years of playing several shows in a single night took their toll. Sinatra continued to act, however, garnering good notice if hardly strong box office in the musical drama Meet Danny Wilson (1951) before fighting for, and winning, the coveted role of Maggio in From Here to Eternity (1953). He won an Oscar for Best Supporting actor and followed this with a scintillating performance as the deranged assassin John Baron in Suddenly (1954) and arguably a career best performance, and Academy Award nomination for Best Actor, in the powerful drama The Man With the Golden Arm (1955). On record Sinatra was also back on a high having signed with Capitol records and riding high on the charts with the album In the Wee Small Hours (1953) and the single Young at Heart (1954), the latter becoming so popular that a recently made film with Doris Day had its name changed to Young at Heart. Known as "One-Take Charlie" for his approach to acting that strove for spontaneity and energy, rather than perfection, he was an instinctive actor who was best at playing parts that mirrored his own personality.

Signed in ink  "For Don Good Luck Frankie" Some slight creasing and a few fine surface marks but in fine condition

Throughout the 1950s Sinatra not only recorded a slew of critically and commercially successful albums, his acting career remained on a high as he gave strong and memorable performances in such films as Guys and Dolls (1955), The Joker is Wild (1957), Kings Go Forth (1957) and Some Came Running (1958). He also dabbled with producing in the 1950s, first bringing the western Johnny Concho to the big screen and, along with Frank Capra, A Hole in the Head (1959), in which he co-starred with Edward G. Robinson. Continuing this trend into the 1960s Sinatra produced such lucrative offerings as Ocean's 11 (1960), Sergeants 3 (1963) and Robin and the 7 Hoods (1964) as well as starting his own record label, Reprise Records, in 1961. Many of Sinatra's movie projects of the era were lighter offerings alongside Rat Pack pals Dean Martin and Sammy Davis, Jr., but alternating such projects with more stern offerings resulted in the stellar The Manchurian Candidate (1962), arguably Sinatra's best film. Sinatra turned 50 in 1965 and, in many ways, his career once again peaked, recording the album September of My Years which won the Grammy for album of the year and making his directorial debut with the anti-war film None but the Brave (1965). Von Ryan's Express (1965) was released the same year and was a box office sensation helping secure vast earnings for the floundering 20th Century Fox.

In 1967 Sinatra returned to familiar territory in Sidney J. Furie's The Naked Runner (1967), once again playing an assassin in his only film to be shot in the U.K. and one of the few films to be shot inside Centre Point and post-war Leipzig in Berlin. That same year he starred as private investigator Tony Rome (1967), a role he reprised in the sequel Lady in Cement (1968). He also starred with Lee Remick in The Detective (1968) a film daring for its time and a major box office success. After appearing in the comic western Dirty Dingus Magee (1970) Sinatra refrained from acting for a further seven years until producing the made-for-TV movie Contract on Cherry Street (1977), based on the novel by William J. Rosenberg. Sinatra returned to the big screen in The First Deadly Sin (1980) once again playing a New York detective with a moving, understated performance that was a fitting coda to his career as a leading man. He made only one more appearance on the big screen with a cameo in Cannonball Run II (1984).

His final acting performance in 1987 was as a retired detective seeking vengeance on the killers of his granddaughter in an episode of Magnum P.I. entitled Laura. On stage, Sinatra was as prolific as ever, playing both nationally and internationally to sold out crowds in stadiums and arenas. In 1993 Sinatra stepped back into Capitol studios to record his final albums, Duets and Duets II, both of which were highly successful, finding Sinatra an entirely new audience almost 60 years after he first tasted fame. Frank Sinatra passed away on May 14th 1998.
  Bio by Hugh Mckenna

"A great piece for the Sinatra fan"

We have been collecting and studying autograph for over 20 years and sell only original signatures.

Contact us toll free east coast time for any questions 1-800-706-1088

We are members of the U.A.C.C. and the Manuscript Society

Registered UACC Dealer



$ 1695.00+ S&H





View Cart/Checkout


click on image to enlarge
Mcquire Sisters

McQuire Sisters Autographs mounted with original song sheet.   

For dimensions and description of this item please click here;  The McQuire Sisters

It's a long way from a tiny church in Middletown, Ohio to White House appearances for five presidents, and a command performance for the Queen of England. The McGuire Sisters - Christine, Dorothy and Phyllis - have been there, done that, in a stellar 46-year career that has touched generations across America and around the world.

While most music icons point to their greatest hit - or maybe two or three - The McGuire Sisters racked up a string of billboard hits. Their classic harmony - as sharp today as it was when they burst onto the music scene in 1952 - has immortalized songs such as "Sincerely," "Picnic," "Sugartime," "He," "Something's Gotta Give," "Just for Old Times Sake," and "Goodnight, Sweetheart, Goodnight."

The sisters began singing in a church in Middletown, Ohio where their mother was an ordained minister, when Phyllis was only 4 years old. By 1949, they were performing at military bases and church functions.

In 1952, they won a spot on the "Arthur Godfrey Talent Scouts" show and the rest is music history.  In the years that followed, the sisters performed before the Queen of England, as well as Presidents Richard Nixon, Jimmy Carter, Gerald Ford, Ronald Reagan and George Bush.  They signed, what was at that time, an unprecedented contract with Coca-Cola, appeared on top TV shows, and played venues from Las Vegas to New York's Waldorf Astoria.

At the peak of their popularity, in 1968, The McGuire Sisters decided to put a wrap on their careers, with Phyllis flying solo and Dorothy and Christine devoting time to their growing families.  For the next 17 years, the only time The McGuire Sisters performed together was at family functions.

Then a unique twist of fate changed everything.  When Christine and Dorothy were visiting Phyllis in New York City, they were repeatedly stopped by fans, who were asking for autographs and wondering where they would be appearing.

"Why not?" they asked themselves.  Thus opened a new chapter in the lives of The McGuire Sisters.

The three retreated to Phyllis' palatial Las Vegas mansion for six months of rigorous rehearsals.  The hard work paid off.  The rejuvenated McGuire Sisters made international headlines.  They found longtime fans waiting in line, and new ones joining them.  Their music quickly bridged the generation gap and The McGuire Sisters were a hit once again.

Those hits come alive not only in stage performances, but, are also relived in a new compact disc.  "The McGuire Sisters Anthology."  This disc was release June 15th of 1999.

Today the sisters balance active social lives with engagements around the world, from Las Vegas to Chicago's Drury Lane Theater.

When not performing, Christine juggles a busy social life in Las Vegas, where she is an avid golfer, spending quality time with her children and grandchildren.

Dorothy lives in Scottsdale, Arizona with her husband of 40 years, Lowell Williamson, where they are active philanthropists who are extensively involved in church and community affairs.

Dorothy stays very busy with her four children, who have given her eight wonderful grandchildren.  With all these young people in her life she stays very busy with soccer, t-ball and of course music is a big part of their lives also.

Just as she became a fixture on the Las Vegas stage, Phyllis has also become an icon in the city's social scene.  She is known as the city's leading hostess and unofficial ambassador, entertaining royalty, social and business elite in her 50,000-square-foot French Provincial estate.  The mansion is filled with expensive artwork and priceless memorabilia spanning more than four decades at center stage in the world of entertainment.

Recently The McGuire Sisters were inducted into the Coca-Cola hall of fame, at the Tropicana Hotel in Las Vegas, NV.  They were also inducted into the Headliners Hall of Fame at the Flamingo Hotel in Las Vegas.  One of their latest performances was October 1st 1999, for Former President Jimmy Carters' 75th Birthday



$ 395.00+ S&H





View Cart/Checkout



Animators - Cartoons - Comedians - Female Movie Stars - Historical - Hurrell Photo - Lobby Cards - Male Movie Stars - Monsters - Movie "Stuff" - Movie Themes - Movies Press Releases - Singers - Musicians - TV - Series -